-3 For Silver Interview- Long Over Due

Pentax K-5

Recently got a new camera. The Pentax K-5. I really like this camera. Here is a short review of the Pentax K-5 It's so much better than the K-X. I was able to get it only because of my tax return. That may give you an idea of how much it cost at the time i got it. Prices are always dropping on cameras though. My K-X that i bought for $700 bucks is only worth about $300 after two years. oh well.

Emergency kitty help!

On Sunday March 24th Blue was hit by a car. The injuries he sustained were a broken ball joint on his hip, a broken femur on the other back leg, and many lacerations. Once again we have a hit and run victim to care for. We have paid for what we could for the worst part of the surgery but one of his legs is still in need of repair. The surgery for the second leg that is broken above the right knee needs to be pinned back together. The estimated cost of this surgery is beyond our means. Any and all help would be greatly appreciated. The surgery is estimated to cost around $800. Please donate what you can if you can.

Final Photos From My 3rd Photo Project Including Artist Statement

Artist Statement

      We all view the world in our walks of life in a hurry while the world speeds by us in a flurry. We are bombarded with sensory from every angle from the moment we wake until we sleep and seldom get the time to notice the little things.

     As a photographer I believe in taking in my surroundings and pulling from it the easily overlooked pieces of beauty seldom seen and often overlooked. I submerge myself into my surroundings and let them saturate my memories. Then I pick them apart and search for my definition of fascination. Something there in the corner of my eye that tried to elude notice must not escape. You see, the faster you move the more fleeting an instant becomes and oh so much more arduous to ensnare. In order to capture a moment in time you must be able to capture something that does not want to be caught. Time halts for nobody but the photographer that is mindfully ready and equipped with a trap specifically designed to apprehend the moment as it passes at the speed of light.

     My choice of subject for this project was sharp edges and corners. The very idea that everything has an edge intrigues me. Most of these edges are hard angled and abrupt when it comes to man made objects but nature tends to have a more “natural” way of doing these things. I focused on the lines that we as people draw with such stark contrast when we create. It was no surprise to find that I was overwhelmed with the amount of acute boundaries we put fourth in our lives. As humans we learn to understand that all things end. We all live with it and accept it as fact. We know it so well that we find ourselves obsessed with the concept to the point of putting it into everything we design. ...And why wouldn't we? It is, in the end, the very same way we were designed.  

PCC Photography Zine Submissions

FOCUSED_PCC ZINE

This is a print and web zine that PCC puts out every year with work from student photographers.
As a photography student at PCC we can choose 5 photos that we have taken over the time that we have been in photography class/classes at PCC. They then review all of them and decide who makes the cut.
It took me some time to paw through the hundreds of photos that i have taken over the course of two photography classes but i have found the 5 that i have chosen to submit.
Here are the 5 that i have chosen for submission.

Wish me luck.

What's In A Dream 

     Our dreams are abstract and fleeting to the degree of a fog lifting in the morning sun. Somewhere on the tip of our subconscious and our waking life sits these elusive memories of images so surreal, vague, and profound that our minds can not seem to grasp them. These dreams portray countless amounts of information through-out our REM state during sleep that most of us can only remember little glimpses of. If only we could capture and recreate just a hint of this dream world, what would it look like? If we were to look for images that remotely provoke reminders of this state of consciousness, we would look towards Jerry Uelsmann.

     Jerry Uelsmann is a contemporary photographer that uses composites of several photos to obtain dream-like imagery in black and white. The technique that he uses to achieve his composite images is completely done with a dark room and multiple negatives. Uelsmann pulls from hundreds of negatives that he has photographed and kept throughout his career as a photographer to put together his finished images.

     Uelsmann got interested in photography at the age of 14 while attending public school in 1948(Jerry Uelsmann). From an interview with Shutterbug, Uelsmann speaks of starting photography as a part time wedding photographer in high school and how photography was viewed as more of a hobby saying “Photography as art had just not received a lot of acceptance” He also states in the same interview that when he first started his composites as a graduate student that “...people questioned if my work was really even photography” saying such things as, “It's very, very interesting, but it's not photography”(Master Interview; Jerry Uelsmann | Shutterbug). From 1955 to 1960 he attended college at Rochesters Institute of Technology earning a B.F.A. and an M.A., then finally a master degree in fine arts from the University of Indiana (Jerry Uelsmann). He then went on to become a teacher for photography at the University of Forida in 1960. He has now since retired. “Uelsmann’s work has been exhibited in more than 100 individual shows in the United States and abroad over the past thirty years”(BIOGRAPHY). He has also been published in hundreds of articles, books, and magazines. One of these publications is Uelsmann, Process and Perception.

     This book contains images from a small portfolio of his works from 1980-1985, none of which are titled, only dated. In the first chapter in this book called “Techniques” Uelsmann describes his process when approaching his works and refers to his darkroom “as a visual research laboratory”. He uses upwards to eight enlargers to set up a sort of one man factory and will put out around 150 finished images in one setting. He then comes away with roughly fifteen that he feels satisfied enough with to keep (Uelsmann).

    In many ways this process is a lot like our dreams, beings that in one night you may have several dreams, forgetting most of them and only being able to remember minor fleeting impressions of what they were when you wake. So, in this sense, the dreams you forget are the ones he nonchalantly tosses away and the dreams you recall are the ones he ends up keeping and sharing with the world. What's in a dream? I am more than certain Jerry Uelsmann would like to show you.

Works Cited

"Jerry Uelsmann." Wikipedia. Wikimedia Foundation, 20 Feb. 2013. Web. 26 Feb. 2013.

"BIOGRAPHY."Jerry Uelsmann : About. N.p., n.d. Web. 26 Feb. 2013.

Uelsmann, Jerry, and John Michael Ames. Uelsmann: Process and Perception : Photographs and Commentary. Gainesville: Universityes of Florida, 1985. Print.

"Master Interview; Jerry Uelsmann | Shutterbug."Master Interview; Jerry Uelsmann | Shutterbug. N.p., n.d. Web. 26 Feb. 2013.

INTERVENE

Here is a link to Time Magazine: Light Box
LIGHT BOX
I was looking at an article on here this morning that was a perspective about the ethical place of a photographer. The question was if a photographer should intervene when they are witnesses to violence. Look Here INTERVENE
My personal opinion on this matter is a simple one. If you don't have the means or training on how to deal with situations that have elevated to violence DO NOT intervene or you will most likely also become a victim.
You may one day find yourself in a situation where something of this nature happens around you and your lens may become the best weapon that you have.
Be safe. Be invisible.